Case Study | Meyer Sound LINA Arrays Flown in First Trio of Churches | Tech Electronics
  • Commercial
    Providing technology solutions for businesses of all shapes and sizes
  • Construction
    Bringing decades of experience to your construction project
  • Education
    Designing, installing and servicing technology for learning environments
  • Government
    Delivering technology solutions to all branches of government
  • Healthcare
    Meeting the demands of modern healthcare through technology solutions
  • Industrial
    Empowering facilities with technology for today and tomorrow
  • Religious
    Equipping faith-based organizations with the latest technology
  • Work Smarter
    Tech Electronics gives organizations the tools to work more efficiently
  • Feel Safer
    Protecting people and property through life safety and communication solutions
  • Collaborate More Effectively
    Increasing productivity through technology-based collaboration tools

Pro AV Catalog

Research Our AV Products

Pro AV Catalog

Research Our AV Products

Pro AV Catalog

Meyer Sound LINA Arrays Flown in First Trio of Churches

Submitted By

Meyer Sound LINA Arrays Flown in First Trio of Churches
Contact Us
Description
Featured Products
Additional Providers

Two churches in California, and one in Florida, are the first houses of worship to install reinforcement systems based on Meyer Sound’s LINA very compact linear line array loudspeaker, the newest and smallest member of the LEO Family.

The first LINA arrays in Southern California were flown at St. Andrews Presbyterian Church in Newport Beach, where audio lead and FOH mixer Joe Cristina was tasked with finding the optimum replacement for an aging system of point-source loudspeakers. Following an extended evaluation period, which included two competing on-site demos, Cristina selected a Meyer Sound LINA system supplied by Octane Audio of Fort Collins, Colorado.

With a long parallel career as an orchestrator and arranger, Cristina approached the audio system evaluations with a musician’s sensibilities. “My first impression of LINA was that it is a truly musical system,” he recalls. “When used with orchestra it sounds like real instruments. Yes, it has a great sounding vocal, and all the highs and lows. But it’s that clarity in the middle, the midrange detail that I’m looking for, and that’s where LINA really delivers.”

The main front system comprises left and right arrays of ten each LINA loudspeakers, far wrap-around seating is covered by UPQ-2P loudspeakers, and deep bass is supplied by six 900-LFC low frequency control elements. Center under-balcony fills are four UPM-1XP loudspeakers while six UP-4XP loudspeakers serve as side under-balcony and front fills.

Despite his musical bias, Cristina acknowledges the critical importance of intelligibility. “The most important element for church sound is the spoken word,” he acknowledges. “We used to have a problem with speech clarity in the balcony, but with the LINA system those problems are gone. We’ve had compliments from the first Sunday. Laypersons who know nothing about sound have told me the difference is night and day.”

For Cristina in his dual role as arranger and FOH mixer, a critical test was the Christmas program. “We have a string quartet playing with our worship band – a rock rhythm section and lead singer. I arrange the string parts, and last year try as I might I could not get the string parts to come through with clarity over the band. But this year, with LINA, I said to myself, ‘Wow, now I can distinctly hear the violas!’ For an arranger, that’s rather important, so yes, I’m loving it.”

In Northern California, the first LINA system was installed at Shiloh Church in Oakland. Also supplied by Octane Audio, the system here is anchored by twin hangs of seven each LINA line array loudspeakers with bass from a single 1100-LFC low frequency control unit.

Across the continent in Jacksonville, Florida, Evangel Temple Assembly of God has installed a left-center-right system comprising a total of 20 LINA line array loudspeakers with three 1100-LFC elements for bass and a complement of UPQ-1P (3), UPQ-2P (2) and UPJunior (2) loudspeakers for supplementary main and fill systems. All three LINA systems employ Galileo GALAXY 616 loudspeaker processors for system drive and optimization.